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Carr Amplifiers Sounds

All sound files are MP3s.

Hammerhead Mk II Sounds

Title Guitar* Settings
Volume Impact Grip Master Tone
1 Headin' Out (1.53MB) BR 10 o'clock Position 1 Position 1 10 o'clock Off
2 Put the Hammer Down (1.34MB) BR 10 o'clock Position 1 Position 3 10 o'clock Off
3 Just Another Song About Carr (1.27MB) FS 12 o'clock Position 3 Position 1 11 o'clock Off
4 Makers Mark II (1.75MB) FS 11 o'clock Position 4 Position 3 10 o'clock 9 o'clock
5 Carr Bin Dating (1.29MB) FS 11 o'clock Position 4 Position 3 10 o'clock Off
6 Shark Bait (1.66MB) ES Maximum Position 1 Position 4 9 o'clock 12 o'clock
7 Rectory Street Rockin' (1.46MB) ES 9 o'clock Position 4 Position 4 Maximum Off
8 Hott Suff (332KB) LP 11 o'clock Position 3 Position 2 Maximum Off
9 William Tell (780KB) LP 11 o'clock Position 3 Position 2 Maximum Off
10 All Girled Out (457KB) LP 11 o'clock Position 3 Position 2 Maximum Off

Guitar Abbreviation Key

BR
Briggs Avatar Deluxe w/ P-90's
FS
Masterbuilt Fender Stratocaster
ES
Gibson ES-335 w/ '57 reissue humbuckers
LP
1972 Gibson Les Paul Custom

Recording Details

Tracks 1-7

Performed and recorded by Jason Barker. All files were recorded using guitars straight into the amp. No EQ, pedals or effects were used during the tracking process. Recordings were created using a close-mic Shure SM-57 to 24-track Tascam 2488 and were made at SunnySound Studio in Durham, NC.

Tracks 8-10

Performed by The Breaks with lead guitar by Steve Carr. Recorded with a Sennheiser e609 mic through an ART tube Mic Pre. Recorded and mixed at Vista Point Recording by Mike Nicholson.

Mercury Sounds

Title Guitar* Settings
Volume Boost Treble Bass Reverb Hi-Cut Attenuator
1 Mercury 1 (499KB) FT 11 o'clock Position 1 12 o'clock 12 o'clock 9 o'clock Off 8w
2 Mercury 2 (281KB) FT 11 o'clock Position 1 12 o'clock 12 o'clock 9 o'clock Off 8w
3 Mercury 3 (551KB) FT 11 o'clock Position 1 12 o'clock 12 o'clock 9 o'clock Off 8w
4 Mercury 4 (407KB) FT 10 o'clock Position 1 12 o'clock 12 o'clock 3 o'clock Off 8w
5 Mercury 5 (374KB) FS 11 o'clock Position 1 12 o'clock 12 o'clock 9 o'clock On 8w
6 Mercury 6 (419KB) FS 3 o'clock Position 2 N/A N/A 9 o'clock Off 8w
7 Mercury 7 (456KB) FS 3 o'clock Position 3 N/A N/A 8 o'clock Off 8w
8 Mercury 8 (377KB) FS 3 o'clock Position 3 N/A N/A 8 o'clock Off 8w
9 Mercury 9 (603KB) FT 2 o'clock Position 1 12 o'clock 12 o'clock 11 o'clock Off 8w
10 Mercury 10 (502KB) FT Maximum Position 1 12 o'clock 12 o'clock 10 o'clock Off 2w
11 Mercury 11 (356KB) LP 3 o'clock Position 2 N/A N/A 9 o'clock Off 2w
12 Mercury 12 (721KB) JR 3 o'clock Position 3 N/A N/A 9 o'clock Off 2w
13 Mercury 13 (546KB) JR 3 o'clock Position 3 N/A N/A 9 o'clock Off 2w
14 Mercury 14 (497KB) JR 1 o'clock Position 2 N/A N/A Minimum Off 8w
15 Mercury 15 (554KB) JR 12 o'clock Position 1 12 o'clock 12 o'clock 9 o'clock Off 8w
16 Mercury 16 (613KB) JR 12 o'clock Position 1 12 o'clock 12 o'clock 9 o'clock Off 8w
17 Mercury 17 (495KB) LP 12 o'clock Position 1 12 o'clock 12 o'clock 9 o'clock Off 8w

Guitar Abbreviation Key

FT
1955 Fender Telecaster
FS
1954 Fender Stratocaster
LP
1972 Gibson Les Paul Custom
JR
1960 Gibson Les Paul Junior

Recording Details

Performed by Will McFarlane (tracks 1-10) and Eric Peterson (tracks 11-17). All Files were recorded using guitars straight to the amp. No eq, pedals, or effects were used during the tracking process. Recordings were created using a close-mic Shure SM-57 to 8-track ADAT and were made February 2003 by Jason Barker at SunnySound Studio in Durham, NC.

Rambler Sounds

Title Guitar* Settings
Volume Treble Mid Bass Reverb Depth Speed Tri/Pent
1 Ay Carr-umba (1.38MB) JS 10 o'clock 12 o'clock 12 o'clock 12 o'clock 10 o'clock Minimum Minimum Pentode
2 Starlight Rambler (997KB) LP 10 o'clock 12 o'clock 12 o'clock 12 o'clock 10 o'clock Minimum Minimum Pentode
3 Verb Ate Him (1.5MB) FS 11 o'clock 1 o'clock 10 o'clock 11 o'clock Maximum Minimum Minimum Pentode
4 Mac's Cadillac (1.28MB) LP 11 o'clock 1 o'clock 10 o'clock 11 o'clock Maximum Minimum Minimum Pentode
5 Playin' In A Lightning Storm (1.14MB) FS 11 o'clock 4 o'clock Minimum 4 o'clock 11 o'clock Minimum Minimum Pentode
6 Rambler Man (1.31MB) LP 11 o'clock 4 o'clock Minimum 4 o'clock 11 o'clock Minimum Minimum Pentode
7 Nashville Rambler (1.31MB) FS 10 o'clock 1 o'clock 12 o'clock 12 o'clock 10 o'clock 4 o'clock 12 o'clock Pentode
8 Gentle Spin (1.38MB) LP 10 o'clock 1 o'clock 12 o'clock 12 o'clock 10 o'clock 4 o'clock 12 o'clock Pentode
9 Rambler On My Mind (1.26MB) FS 3 o'clock 11 o'clock 3 o'clock 10 o'clock 8 o'clock Minimum Minimum Pentode
10 Stock Carr (1.22MB) LP 3 o'clock 11 o'clock 3 o'clock 10 o'clock 8 o'clock Minimum Minimum Pentode
11 Girl With A Green Rambler (1.1MB) JS 11 o'clock 2 o'clock 12 o'clock 12 o'clock 11 o'clock Minimum Minimum Triode
12 B.B.Gun (1.33MB) LP 11 o'clock 2 o'clock 12 o'clock 12 o'clock 11 o'clock Minimum Minimum Triode
13 Half Power Tool (1.11MB) FS 4 o'clock 2 o'clock Maximum 9 o'clock 8 o'clock Minimum Minimum Triode
14 Carr-nival Ride (1.19MB) LP 4 o'clock 2 o'clock Maximum 9 o'clock 8 o'clock Minimum Minimum Triode

Guitar Abbreviation Key

JS
John Suhr 3 P-90 strat-style
LP
'57 Historic Gibson Les Paul
FS
'57 reissue Fender Stratocaster

Recording Details

Performed and recorded by Jason Barker. All Files were recorded using guitars straight to the amp. No eq, pedals or effects were used during the tracking process. Recordings were created using a close-mic Shure SM-57 to 8-track ADAT and were made August 24-25 2002 at SunnySound Studio in Durham, NC.

Slant 6V Sounds

Title Guitar* Settings
Channel Volume Treble Mid Bass Reverb Boost Master
1 Lost In Pittsboro (836KB) FS Clean 9 o'clock 12 o'clock 12 o'clock 12 o'clock 9 o'clock N/A N/A
2 Slant Trance (941KB) LP Clean 9 o'clock 12 o'clock 12 o'clock 12 o'clock 9 o'clock N/A N/A
3 Biased Opinion (767KB) FS Clean 12 o'clock 12 o'clock 12 o'clock 12 o'clock Minimum N/A N/A
4 Tube Or Not Tube (884KB) LP Clean 12 o'clock 12 o'clock 12 o'clock 12 o'clock Minimum N/A N/A
5 Chatham Cruisin' (797KB) FS Clean 4 o'clock 2 o'clock Maximum 9 o'clock 8 o'clock N/A N/A
6 Driving The Carr (866KB) LP Clean 4 o'clock 2 o'clock Maximum 9 o'clock 8 o'clock N/A N/A
7 Wild West Carrboy (921KB) FS Lead 9 o'clock 12 o'clock 12 o'clock 12 o'clock N/A Off 12 o'clock
8 Carr Insurance Blues (1.18MB) LP Lead 9 o'clock 12 o'clock 12 o'clock 12 o'clock N/A Off 12 o'clock
9 Kingpin Krunch (695KB) FS Lead 1 o'clock 12 o'clock 12 o'clock 12 o'clock N/A Off 12 o'clock
10 Carr-los Slant-ana (786KB) LP Lead 1 o'clock 12 o'clock 12 o'clock 12 o'clock N/A Off 12 o'clock
11 70's Slant (865KB) FS Lead Maximum 12 o'clock 12 o'clock 12 o'clock N/A Off 11 o'clock
12 Slant Strut (908KB) LP Lead Maximum 12 o'clock 12 o'clock 12 o'clock N/A Off 11 o'clock
13 Slant-o-caster (664KB) FS Lead 12 o'clock 12 o'clock 12 o'clock 12 o'clock N/A Off 12 o'clock
14 A Slab of Slant (788KB) LP Lead 12 o'clock 12 o'clock 12 o'clock 12 o'clock N/A Off 12 o'clock
15 Smooth 6V (1.01MB) FS Lead 4 o'clock 12 o'clock 12 o'clock 12 o'clock N/A On 2 o'clock
16 Carr-B-Q (942KB) LP Lead 4 o'clock 12 o'clock 12 o'clock 12 o'clock N/A On 2 o'clock

Guitar Abbreviation Key

LP
'57 Historic Gibson Les Paul
FS
'57 reissue Fender Stratocaster

Recording Details

Performed and recorded by Jason Barker. All Files were recorded using guitars straight to the amp. No eq, pedals or effects were used during the tracking process. Recordings were created using a close-mic Shure SM-57 to 8-track ADAT and were made May-July 2002 at SunnySound Studio in Durham, NC.

The Viceroy (formerly The Vincent) Sounds

Title Guitar* Settings
Volume Treble Mid Bass Reverb Drive Boost
1 Clean Tones 1 (1.42MB) LP 10 o'clock 12 o'clock 12 o'clock 12 o'clock 10 o'clock 11 o'clock Off
2 Clean Tones 2 (970KB) SG 10 o'clock 12 o'clock 12 o'clock 12 o'clock 10 o'clock 11 o'clock Off
3 Clean Tones 3 (885KB) FS 10 o'clock 12 o'clock 12 o'clock 12 o'clock 10 o'clock 11 o'clock Off
4 Ambient Clean 1 (740KB) LP 11 o'clock 2 o'clock 11 o'clock 2 o'clock Maximum Minimum Off
5 Ambient Clean 2 (621KB) SG 11 o'clock 2 o'clock 11 o'clock 2 o'clock Maximum Minimum Off
6 Ambient Clean 3 (897KB) FS 11 o'clock 2 o'clock 11 o'clock 2 o'clock Maximum Minimum Off
7 Pushed Mild Overdrive 1 (1MB) LP 12 o'clock 12 o'clock Maximum 12 o'clock Minimum 12 o'clock Both
8 Pushed Mild Overdrive 2 (545KB) SG 12 o'clock 12 o'clock Maximum 12 o'clock Minimum 12 o'clock Both
9 Pushed Mild Overdrive 3 (607KB) FS 12 o'clock 12 o'clock Maximum 12 o'clock Minimum 12 o'clock Both
10 Discrete Funk 1 (938KB) LP 9 o'clock 12 o'clock 12 o'clock 12 o'clock 11 o'clock Maximum Both
11 Discrete Funk 2 (394KB) SG 9 o'clock 12 o'clock 12 o'clock 12 o'clock 11 o'clock Maximum Both
12 Discrete Funk 3 (875KB) FS 9 o'clock 12 o'clock 12 o'clock 12 o'clock 11 o'clock Maximum Both
13 Full Drive 1 (581KB) LP Maximum 9 o'clock 12 o'clock 12 o'clock 11 o'clock Maximum Both
14 Full Drive 2 (662KB) SG Maximum 9 o'clock 12 o'clock 12 o'clock 11 o'clock Maximum Both
15 Full Drive 3 (990KB) FS Maximum 9 o'clock 12 o'clock 12 o'clock 11 o'clock Maximum Both

Guitar Abbreviation Key

LP
Tokai Les Paul
SG
Gibson SG
FS
Fender Stratocaster

Recording Details

Performed and recorded by Mitch Easter at the Fidelitorium, February 2007.

Miscellaneous Sounds

Title Amp Artist
1 Luck Bucket 1 (261KB) El Moto Matt King / Luck Bucket
2 Luck Bucket 2 (355KB) El Moto Matt King / Luck Bucket
3 Henderson (1.24MB) Mercury Matt Henderson
4 Robinett 1 (718KB) Rambler Henry Robinett
5 Robinett 2 (718KB) Rambler Henry Robinett
6 Vitamin C (133KB) Slant 6V Brunson Hoole / The X-Rayons
7 Big Wigs (939KB) Slant 6V Steve Carr / The X-Rayons